Color

Toxic Trades, Constructed Masculinity & The Vibrance of Anonymity

Framing and re-framing oppression through cinematic clichés, khaki hues, and a desert of lies.

Bolting a chain of exploitation, from hardy rocky plants, to deep indigo dyes, and monumental stones.

Tracing the bloodline of an ink from sixteenth century Abya Yala to the National Gallery in London.