From October 2025 to January 2026, six online lectures, one tutorial, and one roundtable conversation take a deep dive into publishing, translation, and archiving as political practices—from periodicals that weave networks of solidarity, to archives that document resistance, to libraries that imagine new worlds, and even to radio stations that transmit and carry voices beyond borders!
Creating Feminist Paths with Mood Boards
Automated Precarity and Commodified Time
Feeling the Museum: Towards Multi-sensory Mediation
KUNHÃ PY’A GUASU
Dissenting Voices
Our events
Pressing Issues: Printing Futures, Publishing Resistance
Starting a Publishing House: Not Non-profit but Profit-for-Survival
When You Kill Us We Rule: Experimental Publishing from Exhibiting to Broadcasting
Surviving Through Untranslatability
Access Questions, Intra-dependence, and Indigenous Feminist Print Publishing
I Love Reading Women: The Making of the Feminist Community-Run Sister Library
Materiality of ♀ and ♀♀ Publications in Belgian Archives: An Ode to Messy Bindings
The Politics of Language: Anti-Ableist Narrative and Queer Arab Slang
Critical Imagination
Iranian Feminist Publishing Highlighted: The History of the Zaban-e Zanan Periodical
Pressing Issues: Printing Futures, Publishing Resistance
Our events
Pressing Issues: Printing Futures, Publishing Resistance
Starting a Publishing House: Not Non-profit but Profit-for-Survival
When You Kill Us We Rule: Experimental Publishing from Exhibiting to Broadcasting
Surviving Through Untranslatability
Access Questions, Intra-dependence, and Indigenous Feminist Print Publishing
I Love Reading Women: The Making of the Feminist Community-Run Sister Library
Materiality of ♀ and ♀♀ Publications in Belgian Archives: An Ode to Messy Bindings
The Politics of Language: Anti-Ableist Narrative and Queer Arab Slang
Critical Imagination
Iranian Feminist Publishing Highlighted: The History of the Zaban-e Zanan Periodical
Contributors
Nina Paim
Maya Ober
Cherrypye
Luiza Prado de Oliveira Martins
Mio Kojima
Materia Oscura
Franca López Barbera
Farah Hallaba
Imad Gebrael
Design History Theory
Naïma Ben Ayed
Heba Daghistani
Iskander Guetta
Floriane Fo Misslin
Mujgan Abdulzade
Sherine Salla
Bibiana Oliveira Serpa
For Us, With Us, By Us
Brand-New-Life
Eliot C. Gisel
Noemi Parisi
Danah Abdulla
Evan Nicole Brown
Tessel ten Zweege
Loraine Furter
Sria Chatterjee
Tasheka Arceneux-Sutton
Keyna Eleison
Isabel Duarte
Sophie Thurner
Lucas LaRochelle
Mahmoud Keshavarz
Mayar El Bakry
Amanda Haas Abd el Halim
Nadia Mounier
Dezentrum
Lebogang Mokoena
Ghalia Elsrakbi
Hayfaa Chalabi
Neo Maditla
Edna Bonhomme
Uzma Rizvi
Bahia Shehab
Centre Culturel Suisse
Inteza Shariar
Dries Rodet
Diana Campbell Betancourt
Prem Krishnamurthy
Les Mots de Trop
Aimi Hamraie
Marwa Fatafta
Morehshin Allahyari
Maryam Mustafa
Timnit Gebru
Minna Salami
Iyo Bisseck
Nakeema Stefflbauer
Beatrace Angut Lorika Oola
Lauren Williams
Tai Linhares
Bec Wonders
Tanveer Ahmed
Randa Hadi
Tereza Bettinardi
Nada Ezzeldin
Francisca Khamis Giacoman
The Big Fat Bao
Ren Loren Britton
etceteras
Layla Gharib
Josefina Vidal
Sloan Leo Cowan
Auge FADU
Elizabeth Chin
Ramia Mazé
Clara Meliande
Nina Mühlemann
Virginia Silveira
Francisco Quiñones Cuartas
Sabah Elhadid
Dreaming Beyond AI
Ari Melenciano
Laura Campaz
Lesego Bantsheng
Neema Githere
Caos Ludd
Anna N. Nagele
Grace Turtle
Helen Pritchard
Dana Burton
Parasto Backman
Be Oakley
GenderFail
Chimurenga
Kaiya Waerea
Sticky Fingers Publishing
aqui Thami
Sister Library
Lissa Choukrane
Ly Xīnzhèn Zhǎngsūn Brown
Marwan Kaabour
Nicole Frei
Tamarra
Brigitta Isabella
Ferdiansyah Thajib
Bruna Benevides
Sophia Yuet See
Mariachiara De Leo
Madeleine Morley
Zenobia Ahmed
Phoebe Eustance
Yanchi Huang
Pauline Piguet
Fanny Maurel
Carolyn Kerchof
Amy Gowen
Barbora Demovičová
Klaudia Mazur
Eugénie Zuccarelli
Dorsa Javaherian
Luana de Almeida
Helena Ramos
Clara Amante
Delphine Bedel
Nina Reis
Sabrina Stallone
Katharina Brenner
Silva Baum
Elham Namvar
Maryam Fanni
Elio Raimondi
Vittoria Pugliese
Fiona Cameron
Ramaya Tegegne
Lucia Pietroiusti
Rhys Atkinson
Riccardo Righi
Charlie Thomas
Ece Canlı
Mauricio Vargas
Michael Bojkowski
Rachel So Dam Jung
Anja Neidhardt-Mokoena
Laya Chirravuru
Nina Jun Yuchi
Amelie Goldfuß
Natalie Sontopski
Adriana Rojas Víquez
Abigail Schreider
Dior Thiam
Naiara Yumiko
Carlotta Trippa
Carmem Saito
Javier Syquia
Johanna Lewengard
Benedetta Crippa
Engagement Arts NL
The Racial Justice Student Collective
Gráinne Donohue
Ritupriya Basu
Maria Kruglyak
Zoy Anastassakis
Griselda Flesler
Lesley-Ann Noel
Divya Rathod
Mariangela Beccoi
Sinem Görücü
Jerá Guarani
Aasawari Kulkarni
Pallavi Keshri
Eva Gonçalves
Hamza Bashandy
Sacha Fortuné
Noura Tafeche
Zainab Marvi
Leonardo de Vasconcelos Santana
Isabella Barroso
Mirna Bamieh
Gabriela Aquije Zegarra
Eva Jack
Tina Omayemi Reden
Amanda Lorentzon
Orly Noy
Shirin Ebadi
Danielle Harris
Isabelle Winkler
Veronika Larsson
Vera Sacchetti
Karoline Buer
Loana Gatti
Mani Deepa Barla
Yatharth
Cooperativa de Diseño
Antônio Bispo dos Santos
Mindy Seu
Benjamin Ryser & Dorothy Wong Ka Chung 黃加頌 (o!sland)
Mohamed Gaber
Maha Akl
Sahar Afshar
Victoria Nascimento Veiga
Decolonising Design
Iany Gayo
Napisa Leelasuphapong
Afonso de Matos
Paola De Martin
Khensani Jurczok-de Klerk
Norma Elzoghbi
Twisha Mehta
Florencia Fontenla
Engy Aly
Solveig Qu Suess
Geanine Escobar
Habib Asfar
Mara Züst
Mini-Zine-Library
Noureldin Ahmed
Nadia Ghanem
Rasha Dakkak
Luba Nomhlekazi Nkiwane
Yaknel Elorza
Troublemakers Magazine
Clara Balaguer
Célia Xakriabá
Who writes his_tory?
Sandra Benites
Lilian Korner
Nushin Yazdani
Morgan Brown
News & Collaborations
Launching Pressing Issues—an online event series discussing the politics of translating, archiving, and publishing!
On the Seam—a collaboration with the Department of Design History and Theory at the University of Applied Arts Vienna, Austria!
Behind the scenes of self-organized spaces—Futuress in Stockholm!
The Futuress team grows temporarily: Welcome Heba Daghstani!
Building bridges—translating five Futuress texts into Japanese with Tokyo-based publisher Troublemakers
Unwired Currents—a new collaboration redefining technologies
A glimpse into Futuress’ endeavors in “Publishing Anecdotes”
“A Critical Statement” by Sophie Thurner republished by the WOMAN OPEN TECH LAB!
#Living Archives: Centering oral history and non-hegemonic historiographies.
“Anthropology Is a Way of Being”
“Stretching the Meaning of Public Space”
Embargoed Memories
Circling the Circassian Identity
(Re)claiming Archives: استعادة الأرشيف
Flat-Packed History
A Race Against Time
“Please Say More”
#Feminist Curricula: Reimagining design education as a practice of unlearning and relearning.
Creating Feminist Paths with Mood Boards
Navigating the Culture of Critique
أحْرُف وكَلِمَاتْ وقِصَصْ A Multi-Script Type Design Program
Institutional Frictions
A Critical Statement
“Teach What You Need to Learn”
The Last Shift
Learning from the Vernacular
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As a queer intersectional feminist platform, Futuress strives to be a home for the people, histories, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored.
#Complaint Collective: Exposing abuse and discrimination in design education.
Does Design Care?
Enough is Enough
Long Nights
Glowing Red Letters
Calling Out Dutch Art Institutions
Oh, Dear Diversity
Diversity Issues
#Designing Resistance: Highlighting the myriad ways in which activism and political opposition are expressed.
On Rehearsing Access
Urban Recyclers: On Taking over the Means of Production
A Beautiful Mess: Moving Towards Non-binary Language
On Caste: The Roots of Discrimination in Indian Design
Multiple Feminisms, Collective Struggles
MOTHER TONGUE / מאַמע-לשון / MAME LUSHEN
“Democracy in Iran Will Arrive Through Women”
“Me All Around You:” Listening Practices In The Digital
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As a queer intersectional feminist platform, Futuress strives to be a home for the people, histories, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored.
#TRAVESSIAS—CROSSINGS: Translating urgent Afro-Brazilian voices originally published in Portuguese by the Brazilian platform Piseagrama.
KUNHÃ PY’A GUASU
Taming the Chalk
We Belong to the Land
Becoming Savage
#Epistemic Activism: A deep-dive into the politics of language and knowledge production.
Feeling the Museum: Towards Multi-sensory Mediation
Kusvikirwa: A Decolonial Spirit
Navigating the Culture of Critique
Who Gets to Design Arabic Typography?
A Canon Misbound: Feminist Lessons in Print
How Far We’ve Cum: Sweden’s “Sex Ed” Through Time
“What the Cl*t?” A Designer’s Take on the Orgasm Gap
Judging by the Cover: Racial Bias in Design Publishing
Subscribe to our newsletter!
As a queer intersectional feminist platform, Futuress strives to be a home for the people, histories, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored.
#Vulnerable Observers: Exploring how the personal is political—from body politics to mental health.
I Don’t Want to Quote Anyone but Myself
Parda: Of Roots, Curls and Race
Living an Immigrant Life
minimal id entity
Imaginations of Care
Soul Consuming
Emotional Labor, Support Structures, and the Walls in the Way
#Earthshaking: Advocating for environmental justice and exposing extractivst practices.
“Sustainability Without Class Struggle is Just Gardening”
A Water Story
When a Stone Says No
#Fashion #SustainableFashion #FashionFutures
Un-sustaining Sustainability?
A Bridge Between Many Worlds
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As a queer intersectional feminist platform, Futuress strives to be a home for the people, histories, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored.
#Objects of Interest: Revealing the stories and socio-political implications behind designed objects.
Automated Precarity and Commodified Time
Designing Belief: A Journey into the Sacred Art of Phrakhreūang
A Tribute to Feira Do Pau
A House and a Hole
A Passive Mob: How Video Games Silence Dissent
Hey Woman, Are You a Roti? Patriarchy and Indian Flatbread
Reflejos Ajenos
Gold
#Politics of Display: Examining the politics of visibility and invisibility manifested in designed systems.
Dissenting Voices
Pastel-Coated Violence
Real Activism or Clicks without a Cause?
Fabricating the Dodo: the Making and Unmaking of a Bird
The Currency of an Identity: Designing Egyptian Banknotes
Yemanjá, the Whitewashed Orisha
Reflejos Ajenos
South is Up
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As a queer intersectional feminist platform, Futuress strives to be a home for the people, histories, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored.
#Incomplete Compendia
An Incomplete Directory of Feminist Bookstores
A Resource Hub for Decolonizing Typography
#Feminist Findings: Searching for the missing stories of feminist periodicals from the past.
A Letter from the Future
Pen Pal Plots
Some Serious Surprises
Follow the Money
Iterative at Heart
Feminism. What’s In a Word?
“What Do You Think History Is?”
Torn in Two Directions
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As a queer intersectional feminist platform, Futuress strives to be a home for the people, histories, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored.
#Contra-Colonial Colors
Bronze-Verdigris: a Colonial History
Gold
Yellow
Blue
Red
#Letter from the Editors
The Promise of Translation
Futuress Beginnings
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As a queer intersectional feminist platform, Futuress strives to be a home for the people, histories, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored.